Recording unscripted with a pool of stellar contributors means the hit podcast is free to work the angles and never takes itself too seriously, says its host
On Monday and Thursday mornings, at around 11 o’clock, I wander into an airless room with four microphones. Three other people walk in. We all say hello, and then we talk about football for about an hour or so. Some smart people edit out all the mistakes, and stick the results up on iTunes that afternoon.
And that is how we make the Guardian Football Weekly. It isn’t complicated, it isn’t scripted, and that’s probably why it works.
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